I had a really funny Friday evening.  After my last class at SFU Surrey,  I took the skytrain home.  When I got to my stop, I  walked down the stairs.  Upon walking down the stairs, I recognized someone by the ticket vending machines.  It was Carl.  And boy did he look like shit.  He looked like he got the wind knocked out of him.

Carl and I used to work in a call centre.  Carl was the type of person who would always have a legit job and slang on the side to junkies.  He was that type of guy.  He grew up in Vancouver East side among Chinese and Vietnamese people, so he had THAT kind of vibe.  We weren't really close friends but when we were at work together, we would always crack up a joke or two together.  It was that kind of relationship.  Not close, but really cool with each other.  He asked me what have I been up to.  I told him I was in SFU doing my school thing and this and that.  And I didn't ask him, but his whole demeanor said everything.  He obviously wasn't in the highest of spirits with his sunken shoulders.  He asked me if I could lend him $20 and he said he would come back to this station in 15 minutes.  I wasn't down with that.  Then he said, "I'm going to Edmonds to pick up some bud and we can blaze and catch up.  If you lend me $20, I'll let you hold on to my phone."  Sure, I was game to blaze.  After all, it was Friday and I was done with school for the week.

 
 

These two kids, SAiNT and Flashkid Summary, from Hong Kong made this music video called Crossover.  They have ruined what could have been a really great idea, having a Filipino and a Hong Kong guy rapping together on a track.  Yeah, but this song really sucks.  The guy on the right in right looks like some sort of Hong Kong pop idol or K-pop boy band wannabe.  He represents everything that I don't understand about Hong Kong pop culture with his weird hair and clothes.
 
 

NZ, from the Mongolian hip hop crew Street Man dropped a dope video called CYA.  The production combines traditional Mongolian elements infused with hip hop.  The result is a very distinct sound.  Not to mention, NZ's flow is vicious!
 
 
_
ashleyslips a.k.a. Petra Mahalimuyak teaches you 5 ways to dance in a club.  A stupid, but yet very entertaining video.
 
 

Booker T revisits his most embarrassing moment: "Hulk Hogan!  We comin for you nigga!"  One of the funniest pro-wrestling bloopers ever.  Props to the interviewer who brought it up with Booker T after all these years!
 
 

A new hip hop anthem for Indonesia. Produced by NSG (The guy in the bear costume).

Indonesia will host this year's Southeast Asian Games in Jakarta and Palembang. 
 
 

I'm really feelin this song: Last Hope by DMX.  It was released after he was released from jail.  You can hear the pain and the struggles in his voice.  DMX is truly the voice of the hood!
 
 

Get It Live is a fun song about letting loose and having fun in the clubs from a rapper named Fish Grease.  The club music nowadays is too superficial and egotistical.  We need more songs like this in hip hop! And by the way, Fish Grease is the younger brother of Keith Murray.
 
 

Gerry Scopez has just leaked Catch The RedEye from his upcoming RedEye Sessions project.  The production is tight, but I'm not so sure about the rapping and singing in this one.
 
 
Mondega & Bambu

Wednesday night's execution of Troy Davis via lethal injection has left everyone in the United States divided.  Some believe that Troy Davis was guilty as charged for murdering an off-duty police officer.  Others believe that Davis was an innocent man and he, being black was a victim of racial profiling.

This blog post isn't a rant on whether Troy Davis was guilty or not guilty or whether the American judicial system is prejudiced against blacks.   This post is about how two different opinions concerning Troy Davis created a rift between two Asian American rappers Mondega and Bambu who had previously collaborated together on Mondega's Music for the People back in April.

Here's how it went down.